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Seite 279
( One of the shortcomings of this approach , which I will not delve into very deeply here , is the problem of ... out how this leads eventually to a number of political and theoretical problems , least of which being that it forecloses ...
( One of the shortcomings of this approach , which I will not delve into very deeply here , is the problem of ... out how this leads eventually to a number of political and theoretical problems , least of which being that it forecloses ...
Seite 282
The problem is not formal definition - for after all I am willing to participate in such a project , suggesting for example that with informatic machines we must fundamentally come to terms with the problem of action .
The problem is not formal definition - for after all I am willing to participate in such a project , suggesting for example that with informatic machines we must fundamentally come to terms with the problem of action .
Seite 290
It is the inescapable observation , ” Massumi notes , “ that belonging per se has emerged as a problem of global proportions . ” 20 For Nancy , the problem is to think of a mode of relationality that might emerge from capital while ...
It is the inescapable observation , ” Massumi notes , “ that belonging per se has emerged as a problem of global proportions . ” 20 For Nancy , the problem is to think of a mode of relationality that might emerge from capital while ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing