Im Buch
Ergebnisse 1-3 von 20
Seite 278
The computer takes our own superlative power over worlds as the condition of possibility for the creation of worlds . Our intense investment in worlds - our acutę fact - finding , our scanning and data mining , our spidering and ...
The computer takes our own superlative power over worlds as the condition of possibility for the creation of worlds . Our intense investment in worlds - our acutę fact - finding , our scanning and data mining , our spidering and ...
Seite 279
through vague estimations of practice , but through hard , machinic possibilities of truth or falsehood , openness or closedness , on or off . So I suggest that these terms definition and possibility might do more harm than good if our ...
through vague estimations of practice , but through hard , machinic possibilities of truth or falsehood , openness or closedness , on or off . So I suggest that these terms definition and possibility might do more harm than good if our ...
Seite 287
For Caruth , it is in the indirectness of this telling that the possibility of a “ faithful history ” lies , and from which urgent empathy arises : “ a new mode of seeing and of listening — a seeing and a listening from the site of ...
For Caruth , it is in the indirectness of this telling that the possibility of a “ faithful history ” lies , and from which urgent empathy arises : “ a new mode of seeing and of listening — a seeing and a listening from the site of ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing