Discourse, Band 32,Ausgabe 32010 |
Im Buch
Ergebnisse 1-3 von 11
Seite 291
... positions , she nonetheless prescribes an " empathic " model of affective relation , and in doing so , she inscribes ... position ( the OED defines empathy as “ the power of projecting one's personality into [ and so fully compre ...
... positions , she nonetheless prescribes an " empathic " model of affective relation , and in doing so , she inscribes ... position ( the OED defines empathy as “ the power of projecting one's personality into [ and so fully compre ...
Seite 335
... positions in a homogeneous way . Our limitations here are relative to the context of Cronenberg's films , which tend to map the crises of couple formations and the apparent impossibility of certain forms of heterosexual couplings , in ...
... positions in a homogeneous way . Our limitations here are relative to the context of Cronenberg's films , which tend to map the crises of couple formations and the apparent impossibility of certain forms of heterosexual couplings , in ...
Seite 337
... positions ( “ man ” and “ woman ” positions in Lacan ) . These positions can be and obviously are inhabited by male and female and transgendered bodies in any number of combinations ( despite what some conservative Lacanians want to say ...
... positions ( “ man ” and “ woman ” positions in Lacan ) . These positions can be and obviously are inhabited by male and female and transgendered bodies in any number of combinations ( despite what some conservative Lacanians want to say ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman