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Seite 303
I will argue that the film's treatment of SQUID as a technology of immediacy navigates interrelated problematics of surveillance , representation , memory , and politics by establishing the circularity of the surveillance medium and ...
I will argue that the film's treatment of SQUID as a technology of immediacy navigates interrelated problematics of surveillance , representation , memory , and politics by establishing the circularity of the surveillance medium and ...
Seite 306
Throughout this entire circle of violent political , psychosexual intrigue , Lenny is grudgingly aided , protected , and berated by his best friend Mace . Notably , Mace is a figure who seems to refuse the logic of technologized time ...
Throughout this entire circle of violent political , psychosexual intrigue , Lenny is grudgingly aided , protected , and berated by his best friend Mace . Notably , Mace is a figure who seems to refuse the logic of technologized time ...
Seite 341
Paramount among those concerns was the need for human beings to achieve liberation on two fronts : the psychological and the political . Brown's conviction of the necessity of the former emerged from his original and revisionary reading ...
Paramount among those concerns was the need for human beings to achieve liberation on two fronts : the psychological and the political . Brown's conviction of the necessity of the former emerged from his original and revisionary reading ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing