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Seite 304
murder mysteries — notably murders that are respectively racialized and sexualized - also “ played out ” on , through , and against the SQUID technology . These plotlines unfold against the pivotal background of the impending end - of ...
murder mysteries — notably murders that are respectively racialized and sexualized - also “ played out ” on , through , and against the SQUID technology . These plotlines unfold against the pivotal background of the impending end - of ...
Seite 308
Even as the film seems to have given up the playing of SQUID clips to further the narrative and to invest the characters in their immediate phenomenal world , the film has itself become invested in playing out a series of temporally ...
Even as the film seems to have given up the playing of SQUID clips to further the narrative and to invest the characters in their immediate phenomenal world , the film has itself become invested in playing out a series of temporally ...
Seite 329
As the film opens , a motorbike - riding London midwife named Anna ( played by Naomi Watts ) performs the emergency - room delivery of a baby whose mother dies in childbirth . Anna finds a diary in the jacket of the unfortunate mother ...
As the film opens , a motorbike - riding London midwife named Anna ( played by Naomi Watts ) performs the emergency - room delivery of a baby whose mother dies in childbirth . Anna finds a diary in the jacket of the unfortunate mother ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |