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The object of the computer is no a man , nor is it this or that human face or body . In this sense it breaks with those arts ( painting , photography , cinema ) that fixate upon the embodied human form — the face , but not always ...
The object of the computer is no a man , nor is it this or that human face or body . In this sense it breaks with those arts ( painting , photography , cinema ) that fixate upon the embodied human form — the face , but not always ...
Seite 280
To give a specific example of the remediation of metaphysics itself one might reference object - oriented programming — the metaphysico - Platonic logic here is awe inspiring — and the way in which classes ( forms ) define objects ...
To give a specific example of the remediation of metaphysics itself one might reference object - oriented programming — the metaphysico - Platonic logic here is awe inspiring — and the way in which classes ( forms ) define objects ...
Seite 310
the magnetic field of the environment surrounding the object . Hence , SQUIDs may be applied in military or other surveillance tasks . " 12 While that statement leaves it — perhaps tellingly — rather vague as to exactly how the SQUID ...
the magnetic field of the environment surrounding the object . Hence , SQUIDs may be applied in military or other surveillance tasks . " 12 While that statement leaves it — perhaps tellingly — rather vague as to exactly how the SQUID ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |