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Seite 283
The screen overcomes our fixed distance ; it makes displacement appear as our natural condition . ” See Stanley Cavell , The World Viewed : Reflections on the Ontology of Film ( Cambridge , MA : Harvard University Press , 1979 ) , 40–41 ...
The screen overcomes our fixed distance ; it makes displacement appear as our natural condition . ” See Stanley Cavell , The World Viewed : Reflections on the Ontology of Film ( Cambridge , MA : Harvard University Press , 1979 ) , 40–41 ...
Seite 349
During the late nineteenth century , the idea of “ natural man , " which was generally associated with the colonized subject , gave rise to comparative studies of different " types " of bodies and also led to particular conceptions of ...
During the late nineteenth century , the idea of “ natural man , " which was generally associated with the colonized subject , gave rise to comparative studies of different " types " of bodies and also led to particular conceptions of ...
Seite 354
As the author points out : “ British naturalists commonly framed their works in terms of natural theology . Optics , natural theology's indispensable tool , guaranteed the direct clear view of nature .
As the author points out : “ British naturalists commonly framed their works in terms of natural theology . Optics , natural theology's indispensable tool , guaranteed the direct clear view of nature .
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |