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Seite 306
... right up until she wrests it from Lenny's individual pathology and returns it to the realm of social intervention , an insistence on the production of a historical “ now ” that might actually mean something more than Lenny's ...
... right up until she wrests it from Lenny's individual pathology and returns it to the realm of social intervention , an insistence on the production of a historical “ now ” that might actually mean something more than Lenny's ...
Seite 310
... that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception : the interaction of individual and environment is precisely what phenomenological accounts of perception emphasize .
... that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception : the interaction of individual and environment is precisely what phenomenological accounts of perception emphasize .
Seite 317
The trajectory of the film implies that any narrative or technological emphasis on individual moments of experience is a disavowal of the interpenetration , the constant referral between individual and environment , experience and ...
The trajectory of the film implies that any narrative or technological emphasis on individual moments of experience is a disavowal of the interpenetration , the constant referral between individual and environment , experience and ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |