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Seite 317
... the constant referral between individual and environment , experience and memory , technology and subjectivity , surveillance and representation , and , most centrally , the series of powers and their functions within time .
... the constant referral between individual and environment , experience and memory , technology and subjectivity , surveillance and representation , and , most centrally , the series of powers and their functions within time .
Seite 331
Here Cronenberg seems to confirm Slavoj Žižek , who , when in interpreting the sexuation graphs of Seminar XX , argues that it is incorrect to argue that “ woman is entirely exempted from the phallic function , and for that very reason ...
Here Cronenberg seems to confirm Slavoj Žižek , who , when in interpreting the sexuation graphs of Seminar XX , argues that it is incorrect to argue that “ woman is entirely exempted from the phallic function , and for that very reason ...
Seite 332
In fact , the man's castration here functions to clear a space for Anna to perform that action , which is not simply a woman doing a man's job , but a woman following the desire that has guided her all along . That her action ( rescuing ...
In fact , the man's castration here functions to clear a space for Anna to perform that action , which is not simply a woman doing a man's job , but a woman following the desire that has guided her all along . That her action ( rescuing ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing