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Seite 283
In viewing films , the sense of invisibility is an expression of modern privacy or anonymity . It is as though the world's projection explains our forms of unknownness and of our inability to know . The explanation is not so much that ...
In viewing films , the sense of invisibility is an expression of modern privacy or anonymity . It is as though the world's projection explains our forms of unknownness and of our inability to know . The explanation is not so much that ...
Seite 312
... technical capabilities of SQUID : an analysis of a field , the relation between an individual and the surrounding world , as well the forms of mediation included in that relation in the present as well as in forms of remembrance .
... technical capabilities of SQUID : an analysis of a field , the relation between an individual and the surrounding world , as well the forms of mediation included in that relation in the present as well as in forms of remembrance .
Seite 315
Earlier I argue that the film is less concerned with the elimination of forms of media in order to restore authentic relations and caring for others than it is invested in using media as a means to open individual experience and memory ...
Earlier I argue that the film is less concerned with the elimination of forms of media in order to restore authentic relations and caring for others than it is invested in using media as a means to open individual experience and memory ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |