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Seite 290
Bennett addresses trauma as “ a presence , a force ” that cannot be contained within subjective boundaries because it is not simply “ an interior condition but a transformative process . In doing so , Bennett privileges affect as the ...
Bennett addresses trauma as “ a presence , a force ” that cannot be contained within subjective boundaries because it is not simply “ an interior condition but a transformative process . In doing so , Bennett privileges affect as the ...
Seite 319
... disaster as an organizational force , and propose a fantasy / utopian alternative to complex political conditions , ” is an apt one for my present argument , primarily in terms of a discussion of Strange Days ' concluding scenes .
... disaster as an organizational force , and propose a fantasy / utopian alternative to complex political conditions , ” is an apt one for my present argument , primarily in terms of a discussion of Strange Days ' concluding scenes .
Seite 357
Like Deleuze before him , Sutton describes the crystal image as signaling the enduring existence of memory in the present and the past's force as an evolving , morphing register . Progressing further into the book , it becomes clear ...
Like Deleuze before him , Sutton describes the crystal image as signaling the enduring existence of memory in the present and the past's force as an evolving , morphing register . Progressing further into the book , it becomes clear ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |