Discourse, Band 32,Ausgabe 32010 |
Im Buch
Ergebnisse 1-3 von 7
Seite 308
... final playing out of the film's scenario because she has been at the center of both historical thinking and contemporarily situated ethics this whole time , and thus serves to join the aspects of cinematic and televi- sual ...
... final playing out of the film's scenario because she has been at the center of both historical thinking and contemporarily situated ethics this whole time , and thus serves to join the aspects of cinematic and televi- sual ...
Seite 313
... final note of the film as simply utopian : " Interracial and social relations will improve and succeed because technology ( SQUID ) has been used for the right pur- pose . " 13 But a reading of this as a straightforwardly utopian turn ...
... final note of the film as simply utopian : " Interracial and social relations will improve and succeed because technology ( SQUID ) has been used for the right pur- pose . " 13 But a reading of this as a straightforwardly utopian turn ...
Seite 323
... final shot when the father and daughter are driving away from the bloody finale where the mother and her brood were finally stopped . We see the daugh- ter Candy's face clearly scarred by what she has lived through . The camera moves ...
... final shot when the father and daughter are driving away from the bloody finale where the mother and her brood were finally stopped . We see the daugh- ter Candy's face clearly scarred by what she has lived through . The camera moves ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman