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Seite 304
The film proposes SQUID and its embodied users as the mechanisms of surveillance , even as it thematizes the ... the film camera's depiction of the diegetic world , and the film's recurring special effect representation of the fictional ...
The film proposes SQUID and its embodied users as the mechanisms of surveillance , even as it thematizes the ... the film camera's depiction of the diegetic world , and the film's recurring special effect representation of the fictional ...
Seite 308
6 a LA riots in which the trial of the policeman took place , since in this film the crowds “ see Mace as she is beaten ... Thus we might say that this action film's climactic scene replays the narratively drawn - out video / televisual ...
6 a LA riots in which the trial of the policeman took place , since in this film the crowds “ see Mace as she is beaten ... Thus we might say that this action film's climactic scene replays the narratively drawn - out video / televisual ...
Seite 351
These films , however , were not ideologically neutral . In his analysis of Trypanosoma gambiense , a medical education film about sleeping sickness , Bloom shows how the African subjects are associated with sleeping sickness linked to ...
These films , however , were not ideologically neutral . In his analysis of Trypanosoma gambiense , a medical education film about sleeping sickness , Bloom shows how the African subjects are associated with sleeping sickness linked to ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing