Im Buch
Ergebnisse 1-3 von 21
Seite 283
3 Much more could be said on the question of whether sadism is in fact a suitable opposite for masochism and how and why they might be paired in the first place . For example , the necessary narcissism of the masochist , the fact that ...
3 Much more could be said on the question of whether sadism is in fact a suitable opposite for masochism and how and why they might be paired in the first place . For example , the necessary narcissism of the masochist , the fact that ...
Seite 313
14 Much as I suggest that the scene of Mace's beating is one of the most highly mediated moments of the film in fact it serves as the culmination of the film's discourse on the fabric of memory , technologized time , and racial ...
14 Much as I suggest that the scene of Mace's beating is one of the most highly mediated moments of the film in fact it serves as the culmination of the film's discourse on the fabric of memory , technologized time , and racial ...
Seite 318
The fact that Deleuze believes the disruption of legal space to be connected to the collapse of chronological time is of considerable consequence here , as in 1995 , Strange Days reflected the “ resolved ” past events around King as the ...
The fact that Deleuze believes the disruption of legal space to be connected to the collapse of chronological time is of considerable consequence here , as in 1995 , Strange Days reflected the “ resolved ” past events around King as the ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing