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Seite 313
... technologized time , and racial formation — despite its existence outside of the realm of SQUID recording , Carr makes it clear that once again we might only understand the ending in relation to the mediation of intersubjectivity .
... technologized time , and racial formation — despite its existence outside of the realm of SQUID recording , Carr makes it clear that once again we might only understand the ending in relation to the mediation of intersubjectivity .
Seite 324
... but this takes place only at the ultimate price of Renn's own life , when he suicidally “ joins ” Nicki in her hallucinated existence in the “ new flesh ” of the television screen into which she invites him to join her .
... but this takes place only at the ultimate price of Renn's own life , when he suicidally “ joins ” Nicki in her hallucinated existence in the “ new flesh ” of the television screen into which she invites him to join her .
Seite 334
... both historically conditioned and discursively produced modes of existence . We are also assuming that there is tremendous ambiguity both 3 4 a a internal to these positions and internal 334 Aron Dunlap and Joshua Delpech - Ramey.
... both historically conditioned and discursively produced modes of existence . We are also assuming that there is tremendous ambiguity both 3 4 a a internal to these positions and internal 334 Aron Dunlap and Joshua Delpech - Ramey.
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |