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... trauma - is opened up to us ... and offered as the very possibility , in a catastrophic era , of a link between cultures . ... resolves two contradictory imperatives in culture today : deconstructive analyses and identity politics .
... trauma - is opened up to us ... and offered as the very possibility , in a catastrophic era , of a link between cultures . ... resolves two contradictory imperatives in culture today : deconstructive analyses and identity politics .
Seite 288
The fascination with and circulation around the wound of trauma in contemporary art is further addressed by Mark Seltzer as a cultural phenomenon , what he calls " wound culture " : " The convening of the public around scenes of ...
The fascination with and circulation around the wound of trauma in contemporary art is further addressed by Mark Seltzer as a cultural phenomenon , what he calls " wound culture " : " The convening of the public around scenes of ...
Seite 289
... that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the uncertainties of wound culture .
... that LaCapra wants to avoid by establishing a precise or “ correct distance ” between what he calls structural and historical trauma - a distance that maintains clear distinctions and avoids the uncertainties of wound culture .
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |