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Seite 290
... subjective boundaries because it is not simply “ an interior condition but a transformative process . In doing so , Bennett privileges affect as the mode of connection " " 24 " a whereby trauma becomes an intersection in process .
... subjective boundaries because it is not simply “ an interior condition but a transformative process . In doing so , Bennett privileges affect as the mode of connection " " 24 " a whereby trauma becomes an intersection in process .
Seite 317
... Deleuze the chronological temporal relations that he believes are undermined by the powers of the false are inherently connected to issues of legality ... according to legal connections in space and chronological relations in time .
... Deleuze the chronological temporal relations that he believes are undermined by the powers of the false are inherently connected to issues of legality ... according to legal connections in space and chronological relations in time .
Seite 337
Whereas masculine subjects tend to pose as “ partially ” involved in the symbolic ( as not fully castrated , as playing the game of law or business but maintaining a reserve of primitive or primordial power , connection with the ...
Whereas masculine subjects tend to pose as “ partially ” involved in the symbolic ( as not fully castrated , as playing the game of law or business but maintaining a reserve of primitive or primordial power , connection with the ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |