Im Buch
Ergebnisse 1-3 von 5
Seite 348
Book Reviews Mediated Bodies : The Production of the Colonized Francophone Subject Jaimie Baron French Colonial Documentary : Mythologies of Humanitarianism by Peter J. Bloom . Minneapolis : University of Minnesota Press , 2008.
Book Reviews Mediated Bodies : The Production of the Colonized Francophone Subject Jaimie Baron French Colonial Documentary : Mythologies of Humanitarianism by Peter J. Bloom . Minneapolis : University of Minnesota Press , 2008.
Seite 349
a one another in order to theorize the way in which French colonial documentaries created an image of the French empire as a unified space and an image of the colonized subject as requiring colonial aid . While there are places in which ...
a one another in order to theorize the way in which French colonial documentaries created an image of the French empire as a unified space and an image of the colonized subject as requiring colonial aid . While there are places in which ...
Seite 351
At the same time , however , the French authorities did not want cinematic images to have a subversive effect on either the French masses or audiences in the colonies . For this reason , the Colonial Film Committee was established to ...
At the same time , however , the French authorities did not want cinematic images to have a subversive effect on either the French masses or audiences in the colonies . For this reason , the Colonial Film Committee was established to ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing