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Seite 277
The penalties and rewards are clear : to be " cinematically " present to the world , to experience the pleasure of the movies , one must be a masochist . In other words , to be in a relation of presence with the world cinematically ...
The penalties and rewards are clear : to be " cinematically " present to the world , to experience the pleasure of the movies , one must be a masochist . In other words , to be in a relation of presence with the world cinematically ...
Seite 312
... in the millennial United States , a mediated and relational subjectivity is less clear in terms of what that might actually mean for uses of technologies and mediations , particularly technologies of surveillance and representations ...
... in the millennial United States , a mediated and relational subjectivity is less clear in terms of what that might actually mean for uses of technologies and mediations , particularly technologies of surveillance and representations ...
Seite 313
First of all , given the fact that the viewers were clearly being accessed via the quotation of the events surrounding Rodney King , it seems clear that there will also be a desire for this memory / media narrative to repeat itself ...
First of all , given the fact that the viewers were clearly being accessed via the quotation of the events surrounding Rodney King , it seems clear that there will also be a desire for this memory / media narrative to repeat itself ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |