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Seite 277
With each step forward in Cavell's world , one becomes that much more inert . Every step done is a step undone . In Plato there is a magical ring , the Ring of Gyges , that grants invisibility to the wearer and thus potential immunity ...
With each step forward in Cavell's world , one becomes that much more inert . Every step done is a step undone . In Plato there is a magical ring , the Ring of Gyges , that grants invisibility to the wearer and thus potential immunity ...
Seite 288
14 In other words , when the correct distance between internal and external , private and public break down , trauma becomes a " generalization , " and for Seltzer , " the generalization of the category of trauma , such that it becomes ...
14 In other words , when the correct distance between internal and external , private and public break down , trauma becomes a " generalization , " and for Seltzer , " the generalization of the category of trauma , such that it becomes ...
Seite 307
Ultimately I want to suggest that technologized memory becomes its own peculiar racial formation in the film and points to the manner in which time - based surveillance technologies have established a historical circularity between ...
Ultimately I want to suggest that technologized memory becomes its own peculiar racial formation in the film and points to the manner in which time - based surveillance technologies have established a historical circularity between ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing