Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 32,Ausgabe 3Indiana University Press, 2010 |
Im Buch
Ergebnisse 1-3 von 17
Seite 303
... Strange Days serves as a critical meditation on this seemingly circular action of surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates interrelated problemat- ics of surveillance ...
... Strange Days serves as a critical meditation on this seemingly circular action of surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates interrelated problemat- ics of surveillance ...
Seite 315
... Strange Days circulates . Earlier I argue that the film is less concerned with the elimination of forms of media in order to restore authentic relations and caring for oth- ers than it is invested in using media as a means to open ...
... Strange Days circulates . Earlier I argue that the film is less concerned with the elimination of forms of media in order to restore authentic relations and caring for oth- ers than it is invested in using media as a means to open ...
Seite 318
... Strange Days reflected the " resolved " past events around King as the film's near future , the millennial moment . 25 And although this film is now past , its implicit directive to remember the future seems a useful reminder for the ...
... Strange Days reflected the " resolved " past events around King as the film's near future , the millennial moment . 25 And although this film is now past , its implicit directive to remember the future seems a useful reminder for the ...
Inhalt
Marija Cetinic | 285 |
Catherine Zimmer | 302 |
A History of Reflections 17401870 by Jutta Schickore | 352 |
Urheberrecht | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman