Discourse, Band 32,Ausgabe 32010 |
Im Buch
Ergebnisse 1-3 von 15
Seite 303
... technologies and subjects it incorporates . Strange Days serves as a critical meditation on this seemingly circular action of surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates ...
... technologies and subjects it incorporates . Strange Days serves as a critical meditation on this seemingly circular action of surveillance . I will argue that the film's treatment of SQUID as a technology of immediacy navigates ...
Seite 310
... SQUID technology is described that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception : the interaction of individual and environ- ment is precisely what phenomenological accounts of ...
... SQUID technology is described that leads us directly back to the presentation of the film's SQUID as a recording of subjective perception : the interaction of individual and environ- ment is precisely what phenomenological accounts of ...
Seite 311
... SQUID technology is deployed as a form of violence and power , and every time there seems to be a recuperation of the technology for use against domi- nant power structures , it is reintroduced as a weapon against those who have ...
... SQUID technology is deployed as a form of violence and power , and every time there seems to be a recuperation of the technology for use against domi- nant power structures , it is reintroduced as a weapon against those who have ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman