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Seite 305
The first mystery that initially draws Lenny into and through this immanent background begins when he is left a “ blackjack ” clip : the SQUID version of snuff . Blackjack , we have learned just a bit earlier , consists of the SQUID ...
The first mystery that initially draws Lenny into and through this immanent background begins when he is left a “ blackjack ” clip : the SQUID version of snuff . Blackjack , we have learned just a bit earlier , consists of the SQUID ...
Seite 309
In order to fully examine the forms and the implications of the way video , cinema , and SQUID intersect , it is instructive to note the similarities between the uses of video and SQUID as surveillance technologies .
In order to fully examine the forms and the implications of the way video , cinema , and SQUID intersect , it is instructive to note the similarities between the uses of video and SQUID as surveillance technologies .
Seite 310
Hence , SQUIDs may be applied in military or other surveillance tasks . " 12 While that statement leaves it — perhaps tellingly — rather vague as to exactly how the SQUID can be used as surveillance , the connections to the ...
Hence , SQUIDs may be applied in military or other surveillance tasks . " 12 While that statement leaves it — perhaps tellingly — rather vague as to exactly how the SQUID can be used as surveillance , the connections to the ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |