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Seite 287
The concept of trauma as a rupture of history's straightforward referentiality provides an interpretive ... It is in this sense that a concept of trauma is valuable in the study of history and historical narratives : it exposes the ...
The concept of trauma as a rupture of history's straightforward referentiality provides an interpretive ... It is in this sense that a concept of trauma is valuable in the study of history and historical narratives : it exposes the ...
Seite 342
But not history in the usual sense ; Brown makes this clear in the opening lecture of The Challenge of Islam series ... the historical methodology he employed owed more to Walter Benjamin's refusal to “ [ tell ] the sequence of events ...
But not history in the usual sense ; Brown makes this clear in the opening lecture of The Challenge of Islam series ... the historical methodology he employed owed more to Walter Benjamin's refusal to “ [ tell ] the sequence of events ...
Seite 344
Sixth , the Qur'an - like James Joyce's Finnegan's Wake — avoids linear narrative : it is not a “ history book ” in the way that the Bible purports to be , but a treasury of symbolic speech . Eschewing the illusion of correspondence to ...
Sixth , the Qur'an - like James Joyce's Finnegan's Wake — avoids linear narrative : it is not a “ history book ” in the way that the Bible purports to be , but a treasury of symbolic speech . Eschewing the illusion of correspondence to ...
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Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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action actual affect archive argues becomes body Brown castration Challenge character cinema clear colonial concept condition connection Cronenberg culture define Deleuze desire Discourse essay existence experience exposed exposure face fact Fall figure film film's final force forms French functions future grotesque History human individual Islam issue killed kind King language Lenny logic look Mace machine Marcuse meaning memory Michigan murder Nancy narrative natural Nikolai normal object photography played police political position possibility present problem production question racial recent recording reference relation relationship representation repressed scene seems sense sexual shared simply singular social space SQUID Strange Days structural suggest surveillance symbolic things tion Tradition trauma truth turn understand University Press violence wants woman Writing
Bibliografische Informationen
| Titel | Discourse, Band 32,Ausgabe 3 |
| Mitwirkende | Herbert Blau, Ihab Hassan, Patricia Mellencamp, Patrice Petro, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 2010 |
| Original von | University of Wisconsin - Madison |
| Digitalisiert | 17. Juli 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |