Discourse, Band 32,Ausgabe 32010 |
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Seite 316
... Deleuze introduces the notion of the " powers of the false " in the creation of political cin- ema . 18 Deleuze uses the concept of falsification not only to illu- minate how time " crystallizes " in post - World War II cinema ( an ...
... Deleuze introduces the notion of the " powers of the false " in the creation of political cin- ema . 18 Deleuze uses the concept of falsification not only to illu- minate how time " crystallizes " in post - World War II cinema ( an ...
Seite 356
... Deleuze's time image . Sutton's admitted chal- lenge is clear : for his part , Deleuze described the time image as a distinctively cinematographic image that presents time “ in its pure state , " as nonchronological , suffused with ...
... Deleuze's time image . Sutton's admitted chal- lenge is clear : for his part , Deleuze described the time image as a distinctively cinematographic image that presents time “ in its pure state , " as nonchronological , suffused with ...
Seite 357
... Deleuze , transmit a circuital exchange of past and present , virtual and actual , rendering the two poles indiscern- ible . Like Deleuze before him , Sutton describes the crystal image as signaling the enduring existence of memory in ...
... Deleuze , transmit a circuital exchange of past and present , virtual and actual , rendering the two poles indiscern- ible . Like Deleuze before him , Sutton describes the crystal image as signaling the enduring existence of memory in ...
Inhalt
Toward a New Ontology of Trauma | 285 |
Strange Days Indeed | 302 |
Cronenbergs Recent Men and Women | 321 |
Urheberrecht | |
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affect Anna archive becomes Berrettini Bloom Brown Brundle Camera Challenge of Islam cinema colonial colonized subject concept condition Contemporary Art Cronenberg's films culture David Cronenberg Deleuze's Discourse Eastern Promises empathy essay ethic experience exposed exposure fantasy feminine film's finitude forms French functions Gilles Deleuze grotesque History of Violence human Ibid ISSN Jacques Lacan Jannis Kounellis killed Kirill Kounellis Kounellis's Lacan LaCapra language Lenny logic Love's Body Mace Mace's beating machine male Marcuse masculine Massumi metaphysical microscope mundane Nancy narrative Nikolai normal object ontological photography police political possibility production Prophetic Tradition psychoanalysis racial racial projects relation relationship remediation representation repressed Ring of Gyges Rodney King Sarajevo scene Schickore Seltzer Semyon sexual simply singular social memory space SQUID clip SQUID technology Stall Strange Days structural surveillance technologies Sutton symbolic tattoos tion trauma University Press Videodrome Wayne State University woman