The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 82
... viewers that their world is predictable and unambiguous . The Antonioni film does not tell a consistent story . Instead , it provides a sequence of clues that are confusing and inconsistent from which each viewer is supposed to ...
... viewers that their world is predictable and unambiguous . The Antonioni film does not tell a consistent story . Instead , it provides a sequence of clues that are confusing and inconsistent from which each viewer is supposed to ...
Seite 85
... viewers with cues that they could use to interpret the story and her place in it . They evoked sets of meanings in the viewers ' minds . Because the two leading characters in the program stood for differ- ent constellations of values ...
... viewers with cues that they could use to interpret the story and her place in it . They evoked sets of meanings in the viewers ' minds . Because the two leading characters in the program stood for differ- ent constellations of values ...
Seite 93
... viewers from different countries differed considerably in their interpretations of the program and in the extent to which they viewed the story as depicting reality ( Liebes , 1988 ; Liebes & Katz , 1988 ) .12 Each ethnic group viewed ...
... viewers from different countries differed considerably in their interpretations of the program and in the extent to which they viewed the story as depicting reality ( Liebes , 1988 ; Liebes & Katz , 1988 ) .12 Each ethnic group viewed ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York