Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 12
Seite 96
... voice of repressed femininity . But the voice - off in the film has so many different types of discourse . LM : We wanted the discourse of the Sphinx at the beginning of the film to evoke contradictory sensations associated with ...
... voice of repressed femininity . But the voice - off in the film has so many different types of discourse . LM : We wanted the discourse of the Sphinx at the beginning of the film to evoke contradictory sensations associated with ...
Seite 114
... voice works the film in several ways . The voice - off utilizes different narrative registers to enunciate concerns relevant to the politics of the unconscious : As the fictional ' author ' “ Laura ” indicates , it is a questioning voice ...
... voice works the film in several ways . The voice - off utilizes different narrative registers to enunciate concerns relevant to the politics of the unconscious : As the fictional ' author ' “ Laura ” indicates , it is a questioning voice ...
Seite 115
... voice - off is submerged beneath the synchronous sound track , worked to coincide with the pragmatic political discussions of the women in the ' narrative . ' Another narrative register of this voice then poses questions in more ...
... voice - off is submerged beneath the synchronous sound track , worked to coincide with the pragmatic political discussions of the women in the ' narrative . ' Another narrative register of this voice then poses questions in more ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women