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Seite 20
The difference is that the cinema spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference ...
The difference is that the cinema spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference ...
Seite 21
In this instance , the spectator's primary identification would be broken down and dispersed between the ... image would vary according to the range of different possible identifications available to the spectator at any given time .
In this instance , the spectator's primary identification would be broken down and dispersed between the ... image would vary according to the range of different possible identifications available to the spectator at any given time .
Seite 22
Q : In extreme examples of the breakdown of secondarized identifications ( such as Peter Kubelka's Arnulf Rainer ) , what often happens in the practical viewing situation is that the spectator simply walks out .
Q : In extreme examples of the breakdown of secondarized identifications ( such as Peter Kubelka's Arnulf Rainer ) , what often happens in the practical viewing situation is that the spectator simply walks out .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse discussion distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language linguistic Louise Marx Marxism material means mirror mother motherhood narrative nature notion object original Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense sexual signifier situation social society space speak specific spectator speech sphinx structure Symbolic takes Theory things thought truth unconscious University voice woman women