Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
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Seite 20
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
Seite 22
... spectator simply walks out . Thus , this decision would seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the ...
... spectator simply walks out . Thus , this decision would seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the ...
Seite 54
... spectator . In this instance , the mechanisms of power are so blatantly displayed that they become invisible , ( as if ironically to underline the central mechanism of disavowal without which the cinematographic apparatus , like other ...
... spectator . In this instance , the mechanisms of power are so blatantly displayed that they become invisible , ( as if ironically to underline the central mechanism of disavowal without which the cinematographic apparatus , like other ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women