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Seite 17
So , the material of the signifier in the theater is part of reality : real space , binocular space , the same space in which the spectator is at the same moment . In the theater you have a very real signifier which is busy ( if I may ...
So , the material of the signifier in the theater is part of reality : real space , binocular space , the same space in which the spectator is at the same moment . In the theater you have a very real signifier which is busy ( if I may ...
Seite 99
Between two discourses - two women interrogate an " author " for her opinions and ( inevitably ) her answers - in this space , we shall continue to trace the issues opened in the introduction . More specifically , we will concentrate ...
Between two discourses - two women interrogate an " author " for her opinions and ( inevitably ) her answers - in this space , we shall continue to trace the issues opened in the introduction . More specifically , we will concentrate ...
Seite 118
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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