Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
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Seite 7
... Signifier , " do you also agree that the Oedipus Complex , and its essential moment , castration , is central to the formation of the unconscious ? Do you feel that there might be a contradiction in the fact that historical materialism ...
... Signifier , " do you also agree that the Oedipus Complex , and its essential moment , castration , is central to the formation of the unconscious ? Do you feel that there might be a contradiction in the fact that historical materialism ...
Seite 16
... signifier - on one side , and the specific strength of the signified , what is being represented . Fiction is a very important historical phenomenon and can be dealt with by a great many different signifiers . I think you have two ...
... signifier - on one side , and the specific strength of the signified , what is being represented . Fiction is a very important historical phenomenon and can be dealt with by a great many different signifiers . I think you have two ...
Seite 17
... signifier in the theater is part of reality : real space , binocular space , the same space in which the spectator is at the same moment . In the theater you have a very real signifier which is busy ( if I may put it so ) imitating ...
... signifier in the theater is part of reality : real space , binocular space , the same space in which the spectator is at the same moment . In the theater you have a very real signifier which is busy ( if I may put it so ) imitating ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women