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Seite 21
And so you have a secondary identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto ...
And so you have a secondary identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto ...
Seite 22
And the danger I was speaking of in reducing secondary identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would ...
And the danger I was speaking of in reducing secondary identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would ...
Seite 35
Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under discussion : it is primary ...
Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under discussion : it is primary ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women