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Seite 22
But you have another type of person , who we all know , who is very enthusiastic about experimental cinema and does not have the same reaction . And for this second kind of person , there is this danger of what I call idealistic ...
But you have another type of person , who we all know , who is very enthusiastic about experimental cinema and does not have the same reaction . And for this second kind of person , there is this danger of what I call idealistic ...
Seite 110
The first pan of the kitchen seems particularly effective cinematically because it's a completely unfamiliar view of a totally familiar scene . It's not just the emotional pull of identification with a person and a narrative situation .
The first pan of the kitchen seems particularly effective cinematically because it's a completely unfamiliar view of a totally familiar scene . It's not just the emotional pull of identification with a person and a narrative situation .
Seite 114
The sphinx of Greek mythology was a winged monster having the head of a woman and the body of a lion that destroyed all who could not answer its riddles ; the term is also used to designate an enigmatic person . As a symbol of ultimate ...
The sphinx of Greek mythology was a winged monster having the head of a woman and the body of a lion that destroyed all who could not answer its riddles ; the term is also used to designate an enigmatic person . As a symbol of ultimate ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women