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Seite 14
Q : You are speaking of fetish - as - process rather than fetish - as- object . M : Yes , exactly . A process which can extend to very different objects insofar as they become substitutes for desire and not necessarily tied to certain ...
Q : You are speaking of fetish - as - process rather than fetish - as- object . M : Yes , exactly . A process which can extend to very different objects insofar as they become substitutes for desire and not necessarily tied to certain ...
Seite 15
fetishism , is disavowal , and the object would be the fetish itself . Q : But there is a distinction between identification with the operation of seeing ( i.e. , with the camera ) versus seeing an object on screen that is fetishized .
fetishism , is disavowal , and the object would be the fetish itself . Q : But there is a distinction between identification with the operation of seeing ( i.e. , with the camera ) versus seeing an object on screen that is fetishized .
Seite 25
The dif- ference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real " repression " in the analytic sense . Drives have a much looser relation with ...
The dif- ference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real " repression " in the analytic sense . Drives have a much looser relation with ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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