Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
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Seite 114
... narrative voice works the film in several ways . The voice - off utilizes different narrative registers to enunciate concerns relevant to the politics of the unconscious : As the fictional ' author ' " Laura " indicates , it is a ...
... narrative voice works the film in several ways . The voice - off utilizes different narrative registers to enunciate concerns relevant to the politics of the unconscious : As the fictional ' author ' " Laura " indicates , it is a ...
Seite 120
... narrative ' segment , the same process works for the ' narrative ' segment within the context of the entire film . The meaning of the image ' mother - and - child ' can be seen to reproduce a dominant notion of femininity entirely ...
... narrative ' segment , the same process works for the ' narrative ' segment within the context of the entire film . The meaning of the image ' mother - and - child ' can be seen to reproduce a dominant notion of femininity entirely ...
Seite 121
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women