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Seite 20
a Secondly , if you can see those links in the importance of the reactivation of the Mirror Phase ( Mirror Stage ) in the movies , you have , nevertheless , the difference between the mirror properly speaking ( the mirror of the child ) ...
a Secondly , if you can see those links in the importance of the reactivation of the Mirror Phase ( Mirror Stage ) in the movies , you have , nevertheless , the difference between the mirror properly speaking ( the mirror of the child ) ...
Seite 35
For a more detailed discussion of these terms , the reader might refer to the headings : “ Imaginary , ” “ Symbolic , ” “ Mirror Phase , ” in The Language of Psycho - analysis , J. Laplanche and J.B. Pontalis , New York : Norton ...
For a more detailed discussion of these terms , the reader might refer to the headings : “ Imaginary , ” “ Symbolic , ” “ Mirror Phase , ” in The Language of Psycho - analysis , J. Laplanche and J.B. Pontalis , New York : Norton ...
Seite 122
The camera reflected in the mirror is a kind of intrusion . It connects to other interventions by the filmmaker , yours for example in the beginning and end of the film , but this time it's an imaged intervention .
The camera reflected in the mirror is a kind of intrusion . It connects to other interventions by the filmmaker , yours for example in the beginning and end of the film , but this time it's an imaged intervention .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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