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Seite 16
I think the difference between the cinematic and the theatrical situations lies in the relation of forces between these two agencies , or , more precisely , the balance of forces between the material of the representation - the material ...
I think the difference between the cinematic and the theatrical situations lies in the relation of forces between these two agencies , or , more precisely , the balance of forces between the material of the representation - the material ...
Seite 17
11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the theater is ...
11 And in terms of belief , I think that the balance is not the same in the cinema spectator , because the material of the signifier in the theater is completely real . The material which is used to depict the diegesis in the theater is ...
Seite 60
We are engaged , that is to say , in productive activity within the social and material world - the world we make and the world we find made for us by others . The human , here considered as a subject , works on and transforms nature ...
We are engaged , that is to say , in productive activity within the social and material world - the world we make and the world we find made for us by others . The human , here considered as a subject , works on and transforms nature ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse discussion distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language linguistic Louise Marx Marxism material means mirror mother motherhood narrative nature notion object original Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense sexual signifier situation social society space speak specific spectator speech sphinx structure Symbolic takes Theory things thought truth unconscious University voice woman women