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Seite 20
A kind of socially imposed under - motricity ( lessened motor activity ) and over perception devotes all the spectator's forces to seeing , watching , and hearing . 13 So , over - perception and undermotricity — these two features are ...
A kind of socially imposed under - motricity ( lessened motor activity ) and over perception devotes all the spectator's forces to seeing , watching , and hearing . 13 So , over - perception and undermotricity — these two features are ...
Seite 22
M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary expectations are strongly disappointed , and so he is no longer able to maintain his primary wish - fulfillment .
M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary expectations are strongly disappointed , and so he is no longer able to maintain his primary wish - fulfillment .
Seite 121
The same kind of enclosed circulation might be operating but , at the same time , there is an excess engendered by the lush fantastic decor of the room . The situation doesn't seem as constrained as that between Louise and Anna .
The same kind of enclosed circulation might be operating but , at the same time , there is an excess engendered by the lush fantastic decor of the room . The situation doesn't seem as constrained as that between Louise and Anna .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse discussion distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language linguistic Louise Marx Marxism material means mirror mother motherhood narrative nature notion object original Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense sexual signifier situation social society space speak specific spectator speech sphinx structure Symbolic takes Theory things thought truth unconscious University voice woman women