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Seite 21
In this way , then , the process of suturing has to do with the primary identification , because the character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated .
In this way , then , the process of suturing has to do with the primary identification , because the character - off is really a substitute for the spectator . He is a spectator - a spectator within the spectated .
Seite 22
primary identification ? M : Yes , no problem . I strongly appreciate this film . Q : In extreme examples of the breakdown of secondarized identifications ( such as Peter Kubelka's Arnulf Rainer ) , what often happens in the practical ...
primary identification ? M : Yes , no problem . I strongly appreciate this film . Q : In extreme examples of the breakdown of secondarized identifications ( such as Peter Kubelka's Arnulf Rainer ) , what often happens in the practical ...
Seite 35
Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult ... under discussion : it is primary cinematic identification proper ( ' primary identification ' would be inaccurate from ...
Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult ... under discussion : it is primary cinematic identification proper ( ' primary identification ' would be inaccurate from ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women