Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
Im Buch
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Seite 16
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
Seite 21
... forces within . the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a ...
... forces within . the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a ...
Seite 62
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women