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Seite 16
M : The difference lies , I think , in the balance of forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two ...
M : The difference lies , I think , in the balance of forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two ...
Seite 21
So - you have a phenomenon of disappointment , and all these forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce primary identification . Hence , the possibility of a sort of ...
So - you have a phenomenon of disappointment , and all these forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce primary identification . Hence , the possibility of a sort of ...
Seite 62
To Marx , forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class ...
To Marx , forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse discussion distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language linguistic Louise Marx Marxism material means mirror mother motherhood narrative nature notion object original Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense sexual signifier situation social society space speak specific spectator speech sphinx structure Symbolic takes Theory things thought truth unconscious University voice woman women