Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
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Seite 27
... film remains constructed in the main patterns of editing exactly as a fiction film . The main difficulty for me is the very presence of the dominant fiction regime within the non - fiction film . There's always this very important ...
... film remains constructed in the main patterns of editing exactly as a fiction film . The main difficulty for me is the very presence of the dominant fiction regime within the non - fiction film . There's always this very important ...
Seite 30
... film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ? Of course it's O.K. Q : I think ...
... film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ? Of course it's O.K. Q : I think ...
Seite 114
... film . Riddles of the Sphinx : the film's title brings together various meanings which define a crucial problematic of the film . To Freud's question , “ What does woman want ? " the film offers a proliferation of more questions , all ...
... film . Riddles of the Sphinx : the film's title brings together various meanings which define a crucial problematic of the film . To Freud's question , “ What does woman want ? " the film offers a proliferation of more questions , all ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women