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Seite 27
Fiction is not only certain films , as opposed to non - fiction films ; it is not only the nature of the particular films . ... I am struck by the many cases in which , for instance , a documentary film remains constructed in the main ...
Fiction is not only certain films , as opposed to non - fiction films ; it is not only the nature of the particular films . ... I am struck by the many cases in which , for instance , a documentary film remains constructed in the main ...
Seite 30
M : If the film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ?
M : If the film has a very precise , political , immediate aim ; if the filmmaker shoots a film in order to support a given strike , for example , and if the film actually supports the strike ... what could I say ?
Seite 114
Our textual discussion has taken up the material of extra- cinematic codes and has attempted to see both how the filmmaker understands these elements to be coordinated , and how they work in the film to produce its textual effects .
Our textual discussion has taken up the material of extra- cinematic codes and has attempted to see both how the filmmaker understands these elements to be coordinated , and how they work in the film to produce its textual effects .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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