Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
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Seite 9
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
Seite 25
... fact of looking implies a distance . If you are too close to an object , you no longer see it . The very fact of hearing implies a distance . So , I think that all drives are based on this loose relation with the object . With certain ...
... fact of looking implies a distance . If you are too close to an object , you no longer see it . The very fact of hearing implies a distance . So , I think that all drives are based on this loose relation with the object . With certain ...
Seite 50
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women