Im Buch
Ergebnisse 1-3 von 22
Seite 28
M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what you were saying . I think that in the precise example of La Cecilia it is a big mistake to miss the marks of ...
M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what you were saying . I think that in the precise example of La Cecilia it is a big mistake to miss the marks of ...
Seite 30
Would you accept , for example , that a documentary of a strike could be misleading insofar as it assumes that knowledge is unproblematic and on the surface ? M : If the film has a very precise , political , immediate aim ; if the ...
Would you accept , for example , that a documentary of a strike could be misleading insofar as it assumes that knowledge is unproblematic and on the surface ? M : If the film has a very precise , political , immediate aim ; if the ...
Seite 45
Foucault illustrates the operation of this mechanism with the examples of 19th century biologists and botanists ... Foucault cites the example of the Rhapsodists , but points out that the influence of such fellowships is also felt very ...
Foucault illustrates the operation of this mechanism with the examples of 19th century biologists and botanists ... Foucault cites the example of the Rhapsodists , but points out that the influence of such fellowships is also felt very ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse discussion distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language linguistic Louise Marx Marxism material means mirror mother motherhood narrative nature notion object original Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense sexual signifier situation social society space speak specific spectator speech sphinx structure Symbolic takes Theory things thought truth unconscious University voice woman women