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Seite 29
But a film which would be radical in the sense you mean would be a discourse with the marks of enunciation in evidence , in La Cecilia , for example , the way the sound is used and the way the spatial relationships are organized within ...
But a film which would be radical in the sense you mean would be a discourse with the marks of enunciation in evidence , in La Cecilia , for example , the way the sound is used and the way the spatial relationships are organized within ...
Seite 37
the system of tenses ( the present coinciding with the moment of enunciation ) , etc. Enun- ciation implies the discursive relationship between locutor and allocutor , the structure of dialogue . In the classic narrative film ...
the system of tenses ( the present coinciding with the moment of enunciation ) , etc. Enun- ciation implies the discursive relationship between locutor and allocutor , the structure of dialogue . In the classic narrative film ...
Seite 51
It is only when it became possible for the spectator to assume the situation of the subject of enunciation that cinema emerged as a new kind of discourse formation , one in which the subject finally seemed to have regained the control ...
It is only when it became possible for the spectator to assume the situation of the subject of enunciation that cinema emerged as a new kind of discourse formation , one in which the subject finally seemed to have regained the control ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women