Discourse: Berkeley journal for theoretical studies in media and culture, Ausgabe 1Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 13
Seite 29
... enunciation with the enunciated , you have no audience . And so , in another sense , the film is not radical . I think that a real choice has to be made by each person , each filmmaker . If a given filmmaker wants to have an immediate ...
... enunciation with the enunciated , you have no audience . And so , in another sense , the film is not radical . I think that a real choice has to be made by each person , each filmmaker . If a given filmmaker wants to have an immediate ...
Seite 37
... enunciation in film , one must take into account various interlocking systems which work together to produce the textual system of a particular film . The marks of enunciation can be said to designate the place from which the cinematic ...
... enunciation in film , one must take into account various interlocking systems which work together to produce the textual system of a particular film . The marks of enunciation can be said to designate the place from which the cinematic ...
Seite 51
... enunciation . It is only when it became possible for the spectator to assume the situation of the subject of enunciation that cinema emerged as a new kind of discourse formation , one in which the subject finally seemed to have regained ...
... enunciation . It is only when it became possible for the spectator to assume the situation of the subject of enunciation that cinema emerged as a new kind of discourse formation , one in which the subject finally seemed to have regained ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis articulation child Christian Metz cinema cinematographic communicative competence complex consciousness consensus construction Critical Theory critique culture day-care desire dialectical diegesis dominant enunciation epistemology fact feminine feminist fetishism fiction film filmic filmmaker forces of production form of discourse Foucault Freud function Habermas's Human Interests ideology Imaginary instrumental action issue Jacques Lacan Jean-Louis Baudry Jürgen Habermas Kantian kind Knowledge and Human labor Lacan language Laura Mulvey Legitimation Crisis linguistic Louise Louise's Marx Marx's Marxism Mary Kelly means Mirror Stage mother motherhood narrative notion object Oedipus Oedipus Complex oppression patriarchal Peirce Penthesilea phallus Philosophy political position practical precise primary identification problem procedures of exclusion psychoanalysis question relation representation Riddles scène secondary identification semiotic sense sexual difference signifier social society speak specific spectator speech situation sphinx structure Symbolic synch textual things truth unconscious voice voice-off woman women