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Seite 27
The main problem , with respect to this question , is that the fiction regime , in many cases , remains dominant , inclusive within non - fiction films , because people are used to it . Fiction is not only certain films , as opposed to ...
The main problem , with respect to this question , is that the fiction regime , in many cases , remains dominant , inclusive within non - fiction films , because people are used to it . Fiction is not only certain films , as opposed to ...
Seite 50
It represents perhaps not so much a radical break from the dominant models as the culmination of a system of representation slowly emerging in the course of the last three centuries . Quite unex- pectedly , the investment of ...
It represents perhaps not so much a radical break from the dominant models as the culmination of a system of representation slowly emerging in the course of the last three centuries . Quite unex- pectedly , the investment of ...
Seite 118
It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film . A given , dominant , and ...
It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film . A given , dominant , and ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women