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Seite 27
And so , in many cases , the fiction regime remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself .
And so , in many cases , the fiction regime remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself .
Seite 50
It represents perhaps not so much a radical break from the dominant models as the culmination of a system of representation slowly emerging in the course of the last three centuries . Quite unexpectedly , the investment of cinema by ...
It represents perhaps not so much a radical break from the dominant models as the culmination of a system of representation slowly emerging in the course of the last three centuries . Quite unexpectedly , the investment of cinema by ...
Seite 118
It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film . A given , dominant , and ...
It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film . A given , dominant , and ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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