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Seite 22
Thus , this decision would seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the spectator walking out seems ...
Thus , this decision would seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the spectator walking out seems ...
Seite 40
There are those which secure their power from the outside of the order of discourse , so to speak ; they operate as " systems of exclusion ; they concern that part of discourse which involves desire and power .
There are those which secure their power from the outside of the order of discourse , so to speak ; they operate as " systems of exclusion ; they concern that part of discourse which involves desire and power .
Seite 91
Then , on a rather different point , there is the way that this desire to create a tradition , a sense of belonging , can overflow into a search for female sensibility , that for instance , films made ...
Then , on a rather different point , there is the way that this desire to create a tradition , a sense of belonging , can overflow into a search for female sensibility , that for instance , films made ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women