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Seite 17
The material which is used to depict the diegesis in the theater is real persons actually present during the performance . In the movies , the actor is absent during the screening of the film ; he was present during the shooting of the ...
The material which is used to depict the diegesis in the theater is real persons actually present during the performance . In the movies , the actor is absent during the screening of the film ; he was present during the shooting of the ...
Seite 28
In your view such a film would actually be less radical because it would maintain the fiction with a greater hold . M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what ...
In your view such a film would actually be less radical because it would maintain the fiction with a greater hold . M : I am not sure I understand the second part of your question , but in fact , I disagree with the beginning of what ...
Seite 77
forms of society and modes of political organization that these interests ( in varying proportions ) actually inhabit are not them- selves a priori rational or just . " Communicative competence " may be worth striving towards as a goal ...
forms of society and modes of political organization that these interests ( in varying proportions ) actually inhabit are not them- selves a priori rational or just . " Communicative competence " may be worth striving towards as a goal ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women