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Seite 86
An Interview with Laura Mulvey by Jacquelyn Suter and Sandy Flitterman Contemporary film theory sees a convergence of cinema , psy- choanalysis , and history . This intersection takes place upon the scene of representation .
An Interview with Laura Mulvey by Jacquelyn Suter and Sandy Flitterman Contemporary film theory sees a convergence of cinema , psy- choanalysis , and history . This intersection takes place upon the scene of representation .
Seite 104
One of the levels upon which this interaction occurs is the alternation in section two of the " Laura " character with various representations of the sphinx throughout history . As we discussed previously , there is no question that ...
One of the levels upon which this interaction occurs is the alternation in section two of the " Laura " character with various representations of the sphinx throughout history . As we discussed previously , there is no question that ...
Seite 127
Laura Mulvey , " Visual Pleasure and Narrative Cinema , " Screen , 16 : 3 ( Autumn 1975 ) , pp . 6-18 ; anthologized in Karyn Kay and Gerald Peary , eds . , Women and the Cinema ( New York : E.P. ...
Laura Mulvey , " Visual Pleasure and Narrative Cinema , " Screen , 16 : 3 ( Autumn 1975 ) , pp . 6-18 ; anthologized in Karyn Kay and Gerald Peary , eds . , Women and the Cinema ( New York : E.P. ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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according action activity actually analysis apparatus appear articulation become castration child cinema communication complex concept consciousness constitute construction Critical culture day-care definition desire diegesis discourse distinction dominant enunciation example exclusion existence expression fact feminine feminist fetishism fiction film forces forms Foucault Freud function Habermas Habermas's human identification ideology Imaginary important instance interest involved issue it's kind knowledge labor language Laura linguistic Louise Marx Marxism material means mirror mother narrative nature notion object original person Philosophy political position possible practical precise present primary problem production psychoanalysis question reason reference relation relationship remains representation Riddles secondary seems sense signifier situation social society space speak specific spectator speech sphinx structure Symbolic Theory things thought truth unconscious understanding University voice woman women