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Seite 19
with the situation in the Imaginary which is reconstructed - the Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse ...
with the situation in the Imaginary which is reconstructed - the Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse ...
Seite 34
“ The Imaginary Signifier , ” p . 18-19 . 3 Jean - Louis Comolli , “ Technique et Idéologie , ” Cahiers du Cinéma , nos . 229 ( May / June 1971 ) , 230 ( July '71 ) , 231 ( August - September '71 ) , 233 ( November '71 ) , 234-235 ...
“ The Imaginary Signifier , ” p . 18-19 . 3 Jean - Louis Comolli , “ Technique et Idéologie , ” Cahiers du Cinéma , nos . 229 ( May / June 1971 ) , 230 ( July '71 ) , 231 ( August - September '71 ) , 233 ( November '71 ) , 234-235 ...
Seite 122
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 3 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and the | 59 |
Urheberrecht | |
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